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Audioslave
04-14-2009, 7:22 PM
It's sort of finish, which is sort of par for the course of my posting stories. Anyway, it's a fairly light piece, sort of dreamy but at the same time not really heavy with description. I like you'll like it.

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The Christmas Island Red Crabs are small, hateful beings that reside on Christmas Island. On this crawling, snapping little island, there are 889 crabs per square meter. The clicking of their claws deafens the slightest thought ever conceived to be imagined by the island’s population of 1,200. Beyond this, massive Coconut Crabs (the size of a small dog) wander and roam the island, Yellow Crazy Ants frantically skitter across the worn roads of the tiny island. Perhaps worst of all is the Australian Hunting Bear. The name is a misnomer, as the animal is actually a type of rodent, resembling a hamster. The interesting aspect, though, is that it seems to be immune to natural selection and nothing short of subsidized by God. It feels no need for self-preservation, but rather a natural and overpowering instinct to flee. It is in a perpetual state of leaving, and it never finds itself arriving. The animals will only sleep if they can find rest on the back of another animal in motion, its favorite being the Christmas Island Red Crab. The shifting, pinching, seizing mass of Christmas Island piqued my curiosity, appealed to my natural interest and led me to be trapped in a lurch; in a place from where everyone else with an overarching sense of common sense had moved on.

The crickets played an orchestra for us, for our quarreling reciprocation. They reached a crescendo; she would break a vase, they fell to a diminuendo; she cried and collapsed on the sofa. She would make for the door, we would hug. A non-linear serious of events played out in my tiny home on Christmas Island, with the soundtrack composed by the nocturnal wildlife. Our staged performance went on without a hitch until the red crabs appeared. We heard them first; their scratching and their pinching preceded them. First they climbed through the windows, and then through the open door, soon they perforated every orifice of my home, invading our environment like a poison gas. A torrent of red shells formed, gushing across my hardwood floor, around and below us. We simply sat on the sofa, holding each other and trying to ignore the omnipresent sound; the stifling noise.

“Where are they going?” She whispered, unfamiliar with the sight.

“Well that depends. If they’ve already laid and fertilized their eggs, they’re going back to the beach. If not; they’re off to make millions more of their awful kind.” I replied, hypnotized by the abominable things.

“Are they…dangerous?”

“Hardly.”

Then she saw the coconut crab. It was a full-grown one, too. Easily three feet long, it slowly, timidly crept in through the now wide-open door, apparently emboldened by the rush of red crabs. Her piercing scream caused the hideous thing to recoil, raising its massive claws.

“Honey, honey, it’s okay.” I tried to reassure her, to no avail. “They’re totally harmless. They only eat children.”

This was apparently the wrong thing to say, as she made a run for the side door. Her piercing scream followed her she went, so I ran to follow her.

Godly
04-14-2009, 8:45 PM
I don't really like the first paragraph, it's too much of a list and description. It's not so much that it's bad, I just don't really think it gets me into the mood for the rest of the story. Also, why even describe the Australian Hunting Bear(even though they're kind of interesting) if you're not going to use them later on?

The rest of the story flows well though, and I really like the last little bit, it was nice to have that little bit of humour in there.

Audioslave
04-15-2009, 5:27 AM
I don't really like the first paragraph, it's too much of a list and description. It's not so much that it's bad, I just don't really think it gets me into the mood for the rest of the story. Also, why even describe the Australian Hunting Bear(even though they're kind of interesting) if you're not going to use them later on?

I don't want it to end there. Also, the bear is a microcosm for the rest of the story.

timbot
04-15-2009, 6:27 PM
I didn't really like it. Maybe because it's not completed yet. The first paragraph was actually my favorite. I liked reading about the different little animals.
But after that, I didn't like your description of the argument. It seems too vague, and you run into that problem I see in a lot of your stuff; that is, you use words that are bigger or more complicated than needed. I've got nothing against big words, and it's not like "quarreling" and "reciprocation" are huge, unknown words. But, they still struck me as out of place.
I also spent a lot of time saying to myself, "I don't think the crabs are really like that," which was very distracting. For example, I'm not really sure they're that loud--though I could be wrong. Also when the girl asks where the crabs are going, I've got a couple of problems with the response. How long has the guy been on Christmas Island that he doesn't know if they've laid their eggs yet? I don't think there's much time between when they migrate to the beach to lay/fertilize the eggs and when they return to the interior. That's the other problem. They lay their eggs in the ocean and live in the interior of the island, not the other way around as your story suggests.

Audioslave
04-16-2009, 6:29 PM
I didn't really like it. Maybe because it's not completed yet. The first paragraph was actually my favorite. I liked reading about the different little animals.
But after that, I didn't like your description of the argument. It seems too vague, and you run into that problem I see in a lot of your stuff; that is, you use words that are bigger or more complicated than needed. I've got nothing against big words, and it's not like "quarreling" and "reciprocation" are huge, unknown words. But, they still struck me as out of place.

I choose my words very carefully.

I also spent a lot of time saying to myself, "I don't think the crabs are really like that," which was very distracting. For example, I'm not really sure they're that loud--though I could be wrong. Also when the girl asks where the crabs are going, I've got a couple of problems with the response. How long has the guy been on Christmas Island that he doesn't know if they've laid their eggs yet? I don't think there's much time between when they migrate to the beach to lay/fertilize the eggs and when they return to the interior. That's the other problem. They lay their eggs in the ocean and live in the interior of the island, not the other way around as your story suggests.

This is sort of ridiculous. Do you read Alice in Wonderland and say "Well I don't think she'd actually get that small..."

I'm not writing a documentary.

Antisaint
04-16-2009, 8:10 PM
The clicking of their claws deafens the slightest thought ever conceived to be imagined by the island’s population of 1,200.

You need to rewrite this sentence. It's hard to make sense of.

Also timbot is right in that you need to keep your vocabulary at the same level throughout the story. Second paragraph especially.

Fluzz
04-16-2009, 8:20 PM
The interesting aspect, though, is that it seems to be immune to natural selection and nothing short of subsidized by God. It feels no need for self-preservation, but rather a natural and overpowering instinct to flee. It is in a perpetual state of leaving, and it never finds itself arriving.

I find this really cool. I wasn't too keep in the second paragraph though, kind of missing a smooth transition from the first, but very well done. The only thing I'd suggest is a brief bio right before you introduce the female character.

timbot
04-16-2009, 8:48 PM
This is sort of ridiculous. Do you read Alice in Wonderland and say "Well I don't think she'd actually get that small..."

I'm not writing a documentary.

No, I don't, but that's obviously a fantasy story mostly set in "Wonderland." You, however, are writing a story set on a real island with a real and specific type of crab as well as other real animals from that real island. Further, you have a documentary style introduction giving details about these different animals. So, you set it up as if it's based on reality, but then continue to change that reality at your will. If you're going to make the animals behave however you want, it would just be best to create something original instead of altering the facts about something that does exist.

Godly
04-16-2009, 11:30 PM
I think that might be where I'm turned off. Your first paragraph is very descriptive and analytical where as the next paragraph is otherworldly and dreamlike, as you said.
There should be more of a transition from one to another otherwise you leave the reader wondering what you're trying to get at.

It's a little bit miss-matched, I guess.

Audioslave
04-17-2009, 12:57 PM
No, I don't, but that's obviously a fantasy story mostly set in "Wonderland." You, however, are writing a story set on a real island with a real and specific type of crab as well as other real animals from that real island. Further, you have a documentary style introduction giving details about these different animals. So, you set it up as if it's based on reality, but then continue to change that reality at your will. If you're going to make the animals behave however you want, it would just be best to create something original instead of altering the facts about something that does exist.

The Australian Hunting Bear is 100% fictional.

Casalen
04-17-2009, 5:14 PM
I disagree.

http://www.benwalkerart.com/art_bearW_rifle.jpg

Audioslave
04-18-2009, 8:21 AM
Alright, give me some time and I'll fix some of these problems.

Godly
04-18-2009, 1:21 PM
You should write more while you're at it. Cause it did seem to cut off too soon. I think I'd like to hear where the story actually goes.